Whitehorse: More Than Just a Traditional Newfoundland Band

Introduction
Whitehorse was a Newfoundland band that left a lasting imprint on the province’s music scene. Formed in 1983, they blended traditional Newfoundland and Irish folk music with a fresh, modern sensibility. Though their time as a group was brief, lasting until 1988, their music remains a testament to the province’s storytelling traditions and evolving musical landscape.

Their songs, from lively jigs to heartfelt ballads, resonated with audiences across Newfoundland and beyond, earning them a loyal following. Alongside acts like Simani, Whitehorse helped modernize Newfoundland folk music while preserving its authenticity. Sponsored by Labatt’s Brewery, they gained rare recognition as a Newfoundland folk band with corporate support.

Formation and Early Years
Originally known as The New Found Band, Whitehorse took their name from the Whitehorse Lounge in Port au Bras after an early performance there.

The group was founded by John Murphy and Percy Cutler, who met at a house party in St. John’s. They later brought in bassist Joe Critchell and drummer Cyril Grant (Lawn). When Cyril left for academic reasons, Perry Langmead stepped in, solidifying the classic lineup.

Their reputation quickly grew, leading to performances across Newfoundland and as far as Cambridge, Ontario. They frequently played alongside notable acts, including Buddy Wasisname and the Other Fellers, further cementing their place in Newfoundland’s music scene.

Most of their recordings took place in St. John’s, with only two tracks recorded at Sims Studio in Belleoram, where Simani had also produced their records.

The Band Members
John Murphy (Logy Bay, Nfld.): accordion, vocals
Percy Cutler (Ramea, Nfld.): guitar, mandolin, vocals
Joe Critchell (Ramea, Nfld.): bass guitar
Perry Langmead (Pouch Cove, Nfld.): drums

Discography & Notable Songs
Between 1986 and 1988, Whitehorse released three albums and a few 45 RPM singles, showcasing a mix of energetic instrumentals and deeply personal storytelling.

Signature Songs
Newfie Boogie I
Mother
Maple on the Hill
Rimshot Jig
The Answer to 21 Years

Fan Favorites
Dad’s Aren’t Supposed to Cry
Seven Years I Loved a Sailor
The Convict Song
No Momma on Mother’s Day

Influences and Musical Legacy
Whitehorse’s sound was deeply rooted in Newfoundland’s folk traditions but infused with a modern edge. John Murphy’s father, John Murphy Sr., introduced him to traditional music, and influences like The Irish Rovers and Harry Hibbs helped shape the band’s style.

They weren’t just preserving old songs, they were helping Newfoundland music evolve. Alongside Simani, they made traditional folk more accessible to younger audiences while staying true to its roots. They played to capacity crowds across Newfoundland and beyond, bringing their unique energy to every stage.

Final Thoughts
Whitehorse wasn’t just a band they were part of a movement that revitalized Newfoundland’s music scene in the 1980s. Their ability to balance tradition with innovation set them apart, and their songs remain a cherished part of Newfoundland’s folk legacy. Whether at family gatherings, kitchen parties, or on classic radio, their music continues to connect listeners to the province’s rich musical heritage.
-Robert Williston

Percy H. Cutler
P.O. Box 7478
St. John's, Nfld., Canada
A1E 4V8

John R. Murphy
c/o East End Post Office
St. John's, Nfld., Canada
A1C 5V2 (1-709-726-7251)