Lewis, Mike - Wuschel

Tracks

Side 1

		Track Name	Length
	1	Politician Boogie Shuffle	04:18
	2	Wuschel Walks	06:21
	3	Travellin' Man	05:11
	4	Voodoo Woman	04:54

Side 2

		Track Name	Length
	1	Cracked Ice	23:27

Photos

Videos

No Video

Information/Write-up

Mike Lewis is actually a Canadian by birth, but he lived in Germany in the early 1970s and actively hung out with Connie Planck; First, they created the album “Free Improvisation” as Wired (the content of the disc fully corresponds to the title), then Planck helped Lewis record the notorious Wuschel and, finally, in 1972, Mike released another disc, this time under the name Moosknukkl Groovband (here he plays a much more down-to-earth, but still very, very good guitar-keyboard prog).

Despite the strong predominance of the organ, there is a guitar in the group. Vocals are completely in English. Often, organ losses are replaced by piano. The first side includes 4 tracks from 4 to 6 minutes in duration. The second is entirely devoted to one single Cracked Ice - 23:35.

Probably to draw attention to the disc on the cover below, it is written in bold: The German Word For Something Fuzzy. That, in principle, is not true. Music will be quieter than that of the Sixty-Nine. The organ, however, is also quite virtuosic, but more spatial and airy, with a pensive and even psychedelic mood. Such thoughtfulness smoothly flows into the piano and, finally, a very densely built, beautiful guitar solo. The speed mode of the last track is gradually increasing, leading to the simultaneous play of the organ, phono and guitar. A sharp transition to the space space psychedelic and again a gradual return to the guitar-organ passages. In short, the proto with organ-piano-guitar exercises. not true. Music will be quieter than that of the Sixty-Nine. The organ, however, is also quite virtuosic, but more spatial and airy, with a pensive and even psychedelic mood. Such thoughtfulness smoothly flows into the piano and, finally, a very densely built, beautiful guitar solo. The speed mode of the last track is gradually increasing, leading to the simultaneous play of the organ, phono and guitar. A sharp transition to the space space psychedelic and again a gradual return to the guitar-organ passages. In short, the proto with organ-piano-guitar exercises. not true. Music will be quieter than that of the Sixty-Nine. The organ, however, is also quite virtuosic, but more spatial and airy, with a pensive and even psychedelic mood. Such thoughtfulness smoothly flows into the piano and, finally, a very densely built, beautiful guitar solo. The speed mode of the last track is gradually increasing, leading to the simultaneous play of the organ, phono and guitar. A sharp transition to the space space psychedelic and again a gradual return to the guitar-organ passages. In short, the proto with organ-piano-guitar exercises. a very tightly built beautiful guitar solo. The speed mode of the last track is gradually increasing, leading to the simultaneous play of the organ, phono and guitar. A sharp transition to the space space psychedelic and again a gradual return to the guitar-organ passages. In short, the proto with organ-piano-guitar exercises. a very tightly built beautiful guitar solo. The speed mode of the last track is gradually increasing, leading to the simultaneous play of the organ, phono and guitar. A sharp transition to the space space psychedelic and again a gradual return to the guitar-organ passages. In short, the proto with organ-piano-guitar exercises….

Mike Lewis: vocals, organ, drums, percussion
Conny Plank: guitar

Engineered by Conny Plank
Produced by Conny Plank and Mike Lewis

Comments