316188

Library Voices - Denim on Denim

Format: CD
Label: Young Soul Records YS 0011
Year: 2010
Origin: Regina, Saskatchewan
Genre: 
Keyword: 
Value of Original Title: 
Make Inquiry/purchase: email ryder@robertwilliston.com
Release Type: Albums
Websites:  No
Playlist: 2010's, Saskatchewan, Canadian Folk, Canadian Pop

Tracks

Track Name
Drkinking Games
Drinking Games
Insider Trading (On Outside Art)
Haunt This House
Party Like It's 2012
Write Me a Myth
Bookish
Bodies of Fiction
Model City
End Times
Family Night
Balloon
Menagerie
Hello, Cruel World

Photos

316188

Denim on Denim

Videos

No Video

Information/Write-up

5/5
I sure hope the members of Library Voices are New Pornographers fans, because it’s a comparison they’re going to get whether they like it or not. It’s unavoidable, really. Like the better-known Pornographers, Regina’s Library Voices specializes in giddy indie pop layered with electric guitars, analogue keyboards, and multipart vocal harmonies. Heck, the eight-piece band even has a lead singer named Carl (Johnson in this case, rather than Newman).

Hopefully they’ll take it as the compliment it’s meant to be. After all, the New Pornographers are one of the most popular and critically well-regarded acts to ever emerge from this country’s indie milieu. Having already received props from SPIN and The New Yorker, Library Voices looks to be headed for its share of international recognition as well. Based on its debut full-length, Denim on Denim, it’ll be well-deserved.

This is a group that knows its way around a hook but isn’t afraid to offset its bubblegum sweetness with unexpected bursts of noise. Observe the fuzz-skronk guitar that rips through the surface of “Family Night” for an examples, or the swirling feedback and synth oscillations that close out “Haunt This House”. Keyboardist Michael Dawson, who writes Library Voices’ lyrics, also has a few lyrical concerns that add a jagged edge to the otherwise upbeat proceedings. These include, in no particular order: self-medication, the weight of other people’s expectations, and the apocalypse. In fact, Dawson seems particularly obsessed with the end of the world, as it’s the theme of at least two songs—“End Times” and the instantly unforgettable “Party Like It’s 2012”.

One hopes that getting all this dark stuff on record has helped Dawson get it out of his system, and the album’s closing tune, “Hello, Cruel World”, suggests that it has: “I spent a winter indoors just getting to know my new self/I read some books and wrote some songs/And when I emerged I was who I claimed to be.” We should all be so lucky. For the love of God, Michael, please post a reading list on your blog.
-Georgia Straight

You can buy Libary Voices directly fromthe band here: http://libraryvoices.ca/?page_id=3

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