Information/Write-up
Carla Whitney (with Choker Campbell and the Super Sounds): An Enigmatic Soul Gem
Carla Whitney remains one of Canada’s most intriguing and mysterious soul voices. Emerging from Toronto in the mid‑1970s, she is best known for her singular recording—Carla Whitney (with Choker Campbell and the Super Sounds)—released in 1975 on Attic Records. Although her recorded output was brief, the album (along with its two singles, catalog numbers AT 117 and AT 113) has grown into a coveted collectible among soul, funk, and R&B enthusiasts.
The 1975 Album and Its Musical Impact
Released during a period of rich musical experimentation, the album features a mix of original tunes (some co-written by Whitney) and inventive covers—including renditions of The Rolling Stones’ “Gimme Shelter” and Conway Twitty’s “Hello Darling.” Whitney’s velvet-throated vocals, evoking the styles of Aretha Franklin, Marlena Shaw, and Vicki Anderson, allow her to effortlessly navigate between gentle, soulful ballads and energetic, funk‑infused numbers. This unique blend captured a fleeting but unforgettable moment in Canadian soul history.
Choker Campbell: From Motown Maestro to Canadian Producer
A central figure behind this recording is Choker Campbell, whose multifaceted career provides a fascinating backdrop to the project:
Early Roots and Touring:
Born in Mississippi and raised in Michigan, Campbell’s early years saw him touring in the 1950s with prominent acts such as Joe Turner, Billy Ward and his Dominoes, and the Clovers. These experiences deeply influenced his musical sensibilities and performance style.
The Motown Years:
In the 1960s, Campbell earned acclaim as the leader of Motown’s live band. Serving as the saxophonist and conductor for the Motortown Revue shows, he played at iconic Detroit venues like the Fox Theater and Graystone Ballroom. His ability to energize live performances solidified his reputation as a driving force behind Motown’s stage presence.
Transition to Production and Label Management:
Moving beyond live performance, Campbell embraced roles as an arranger, producer, and label executive. He managed several record labels in upstate Michigan—including Tri-City, Moonville USA, Ultra City, and Gospel Train—refining his skill in capturing the raw essence of soul music within studio recordings.
The Canadian Chapter:
By 1975, nearly 60 years old, Campbell had already established himself as a respected musician and producer. His journey eventually led him to Toronto, where a chance encounter with the little-known yet powerfully expressive Carla Whitney resulted in their memorable collaboration. Their work fused his deep Motown roots with the vibrant emerging soul scene in Canada, producing an album that has since become a hidden treasure.
Reissues and Renewed Interest
Interest in this rare piece of Canadian soul history has been sustained and revived through several reissues:
Goldmine Soul Supply Two‑Fer (GSCD 135):
In addition, the album was packaged with work by Albert Jones and reissued by Goldmine Soul Supply (catalog GSCD 135) in 2001. This two‑fer presentation not only highlights another exemplary production from Choker Campbell’s career but also offers collectors and new listeners an affordable gateway into the vibrant world of 1970s Canadian soul.
CD Reissue by Unidisc:
The album was reissued on CD by Unidisc, probably later in the 2000s, making the long‑dormant recording more accessible to modern audiences and preserving its legacy for future generations.
Legacy and Continuing Mystery
Despite the enduring appeal of her singular recording, very little is known about Carla Whitney’s life beyond this project. Her evocative vocal delivery continues to captivate listeners, even as details of her personal journey remain elusive. Meanwhile, Choker Campbell’s extensive career—from his formative touring days and pivotal role at Motown to his influential work as a producer and label executive—stands as a testament to the rich tapestry of soul and R&B music.
Together, their collaboration encapsulates a unique moment of cross‑border musical exchange, producing an album that not only showcases exceptional artistry but also continues to inspire and mystify collectors and music lovers around the world.
-Robert Williston
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