45 one way street listen to me

$400.00

One Way Street - Listen To Me b/w Tears

Format: 45
Label: Vantown VT-101
Year: 1967
Origin: Vancouver, British Columbia
Genre: garage
Keyword: 
Value of Original Title: $400.00
Make Inquiry/purchase: email ryder@robertwilliston.com
Release Type: Singles
Websites:  http://vancouversignaturesounds.com/hits/listen-to-me-by-one-way-street/
Playlist: Playlist - CDS, British Columbia, 1960's, The Canadian Garage

Tracks

Side 1

Track Name
Listen To Me

Side 2

Track Name
Tears

Photos

940

One Way Street - Listen To Me b/w Tears

45 one way street listen to me

Listen To Me b/w Tears

Videos

No Video

Information/Write-up

Peak Month: February 1967
9 weeks on Vancouver’s CFUN chart
Peak Position #16
Peak Position on Billboard Hot 100 ~ did not chart

A forgotten drop in Vancouver’s musical bucket was the One Way Street. They billed themselves as folk-rockers. However, their sole recording was the 45 RPM single “Listen To Me” b/w “Tears In My Eyes” on the local Vantown label. The song owes more to the influence of the Seeds who had a hit with “Pushing Too Hard” than the Mojo Men’s “Sit Down I Think I Love You“. (Both tunes were currently on the CFUN chart while the One Way Street climbed their way into the Top 20). One Way Street included silky-voiced Rick Wanzel (vocals), Doug Fairbairn (guitar), Greg Johnstone (bass), Bob Hirtle (keyboards) and Jim Warren (percussion). The band cut their single at the Vancouver Sound Recording Studio in under an hour, and were gratified when it peaked at #16 on CFUN over a 9 week chart run.

“Listen To Me” is not especially original psychedelic rock material, but it was part of a new sound that was populating the charts on CFUN and CKLG. Along with One Way Street in the first few months of 1967 were populated with numbers of psychedelic and garage rock. This included the Electric Prunes with “I Had Too Much to Dream“, The Painted Ship with “Frustration“, the Blues Magoos with “(We Ain’t Got) Nothin’ Yet“, John’s Children with “Smashed Blocked“, the Beatles “Strawberry Fields“, Cream with “I Feel Free” and the Seeds with “Pushing Too Hard”.

“Listen To Me” was co-written by bandmates Wanzel and Johnstone. The lyrics express great confidence on the part of the singer that the love he has for his baby is going to last forever. In the haze of initial attraction it seems their is a light shining overhead that is telling the whole world of their love. While it is clear he is hooked on his baby, it is less clear how much she is hooked on him, as he is begging her please. Nor is it clear how long this attraction has been going on ~ a night, a week, a month, a year? If there had been an answer song by a girl group, perhaps the Shangri-las, we could learn how much she was listening to him. But that answer song was never to be.

Listen to me baby to what I say
I’m gonna love you ‘til my dying day.
Bring all your loving bring it home to me

I see the light shine from above
Telling the whole world of our love
You and me we’re gonna last forever.

Bring it home, come on baby I said bring it home
I need your lovin’ baby, bring it home, I’m begging you please.

Curiously, “Listen To Me” also charted in Dallas, Texas, where it was released on the Paula label. This may explain why Eva Records saw fit to include both tracks on Louisiana Punk, Vol. 2! With its Twilight Zone guitar, the b-side, “Tears In My Eyes” is eerily reminiscent of the Marketts’ “Out of Limits“.

After the One Way Street hit a dead-end in 1968, Wanzel moved to Toronto and became Rick Livingstone. He did an album entitled, Livingstone, I Presume. In the 1980s Livingston went on to form the Pacific Northwest band the Broken Hearts. Lead ax-man Fairbairn graduated to the Ambleside Blues Band. Both sides of the One Way Street single were reissued on the Vancouver Record Collectors’ Association’s History Of Vancouver Rock, Volume 4.

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