Lhasa - La Llorona

Format: CD
Label: Audiogram ADCD 10101
Year: 1997
Origin: Big Indian, New York, USA - Montréal, Québec
Genre: latin, folk, rock
Value of Original Title: 
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Release Type: Albums
Playlist: Top 1000 Canadian Albums of All Time, Quebec, 1990's, Canadian Folk


Track Name
De Cara a La Pared
La Celestine
El Desierto
Por Eso Me Quedo
El Payande
Los Peces
El Pájaro
Mi Vanidad
El Arbol del Olvido



La Llorona


No Video

Information/Write-up's Best of 1998
Lhasa De Sela has distinguished herself as a singer and storyteller with her debut album, La Llorona. The 25-year-old Montreal resident, who grew up traveling through Mexico while living on a school bus, sings of her tortured heart with the accompaniment of guitarist-producer-arranger Yves Desrosiers and a cabaret-style band. Already compared to those of Edith Piaf and Billie Holiday, De Sela's haunting voice is memorable on each of the 11 songs (only 3 are nonoriginal) that range in inspiration from Mexican ranchera to Eastern European klezmer.
-Cristina Del Sesto
Half Mexican American, half Jewish American and all rainbow chile, singer Lhasa de Sela's Spanish-language, world music/alt-rock debut shimmers with honest emotionalism, with no trace of the posturing and whining that passes these days for deep, girlish thoughts. The girl's young, but she's equipped with imagination, confidence, and technique enough to take that husky, urgent alto anywhere she wants. And she goes there. Guitarist-producer-arranger Yves Desrosiers cloaks all this splendor in rapturous arrangements that include, among other elements, the sound of rain, flamenco-influenced guitar, and a slide bass of his own design. Even if you don't understand Spanish, you can't miss the point ... the feelings. Lhasa's just begun, but her stranger-than-fiction background and dazzling gifts already place her among music's top-rung storytellers.
-Elena Oumano

Maybe it was Lhasa's unconventional upbringing that has given her such a unique vision, or maybe it was always within her. Whatever the reason, she stands as one of the most idiosyncratic Mexican-American performers, fully aware of the tradition, but putting her own spin on it. Lhasa's mother, Alexandra Karam, was an actress and photographer, her father, Alejandro Sela, a Mexican professor teaching in upstate New York -- Lhasa de Sela was born in the tiny village of Big Indian. The big family (Lhasa has three sisters, three half-sisters, and three half-brothers) was fairly nomadic and their travels took them between the U.S. and Mexico, traveling and living in a converted school bus. It was an arty life of music, books, and letters, but without the insidious influence of television, banned by her parents. Instead, the family was cast on its own resources for entertainment and that included nightly singing, where Lhasa developed her voice.

The family spent a total of eight years south of the border, where Lhasa grew into the local culture, before finally settling (outside the U.S. again) in Montreal, Canada, in 1992, at the age of 20. She'd visited the place the previous year and met Yves Desrosiers, a young musician with whom her initial work had proved so fruitful that they decided to collaborate on a full-time basis. The pair played locally, adding bassist Mario Légaré, and then toured nationally, garnering rave reviews from coast to coast, before beginning work on Lhasa's debut, La Llorana. A foray to the U.S. in 1997 to travel and perform with Lilith Fair won a number of fans, who were surprised by the strange, richly sensual music and Lhasa's smoky jazz phrasing. The venture was repeated in 1998 to coincide with the American release of her album, which had already been available for a year in Canada.

After touring behind the album, Lhasa moved to France, to work with her sisters, who perform with circuses there.
-Chris Nickson, All Music Guide


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