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Garson, Mort - Black Mass Lucifer

Format: LP
Label: United Artists UAS 73111 (USA)
Year: 1971
Origin: Saint John, New Brunswick
Genre: electronic, moog
Keyword:  Satan
Value of Original Title: $75.00
Make Inquiry/purchase: email ryder@robertwilliston.com
Release Type: Albums
Websites:  http://www.oocities.org/occult_library/Blackmass.html
Playlist: Top 1000 Canadian Albums of All Time, 1970's, New Brunswick, Experimental & Electronic


Side 1

Track Name
Solomon's Ring
The Ride Of Aida (Voodoo)
Black Mass
The Evil Eye

Side 2

Track Name
The Philosopher's Stone
Voices Of The Dead (The Medium)
Witch Trial


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Garson, Mort - Black Mass Lucifer

Mort garson licifer label 01

Garson, Mort - Black Mass Lucifer

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Black Mass Lucifer


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The concept of this album showed the Moog delivering sounds sinister and exciting to a degree the lurid horror films of the day never matched. All the titles related to occult phenomenons and themes, and seemed to focus mainly on the darker side of occultism. With it's breakbeats galore, intense synthesizer, hip original themes, this was really a unifying concept. An occult Moog-album! The man behind this recording was a somewhat obscure solo artist; Mort Garson.

Mort Grason was born in Canada in 1924, as a graduate from the Juilliard School, he began writing musical scores in the 1940s, and worked as an arranger / composer / engineer in the late 1940s / early 1950s. He got highly acclaimed as the orchestral arranger for Glen Campbell's 1968 "By The Time I Get To Phoenix". Garson also had production credits on records by vocalists and other artists, including Mel Torme, Doris Day, Ed Ames, and Leslie Uggams. He wrote, arranged, and directed for many years on many labels in many styles. He also made music for TV and movies. But he recorded some albums too, each more strange than the other.

According to a Robert Moog (inventor of the Moog) interview, he told that when he was showcasing his instrument at an expo, Garson (even then in his mid-40's) and an assortment of crazed geniuses decided to use it, among other electronic instruments to make a psychedelic pop / rock / spoken word concept album which turned out to be the first usage of the Moog on a commercial pop record from the West Coast. This was the album Zodiac Cosmic Sounds, recorded together with Jacques Wilson in 1967. It consisted of twelve "songs" composed as a suite on the twelve signs of the zodiac and where accompanied by Paul Beaver on electronic keyboards, including the Moog synthesizer. That same year Garson wrote and arranged another little masterpiece, the single credited to the Big Game Hunters. Next album Electronic Hair Pieces from 1969 used the Moog to arrange some well-known pop hits. His third album was the electronic masterpiece The Wozard of Iz (also from 1969) sets to (Moog) music a socio-political satire built around the children's classic (Bernie Krause on "environmental sounds" and Nancy Sinatra as a co-narrator). His passion for the Moog took him to compose entire albums for A&M of music for each zodiacal sign(!) that predated new-age music by a decade: Signs of the Zodiac: Aries, Taurus, Gemini, Cancer, Leo, Virgo, Libra, Scorpio, Sagitarius, Capricorn, Aquarius and Pisces.

But he also made another record in 1971, which was very different. Under the devilish pseudonym "Lucifer", Garson released this record: Lucifer - Black Mass. It had his wildest hodgepodge of electronic sounds. Little is known about this release though.

The same year, after the Black Mass album, Garson released a not-occult album called Music For Sensual Lovers in collaboration with performance-artist "Z", which contained moody Moog music accompanied by the wonderful screaming and orgasmic moans of a porn star(!). Then, four years passed, before Mort Garson returned with another occult-themed Moog record; Ataraxia - The Unexplained in 1975...


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