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Weinberg, Elyse (Cori Bishop)

Websites:  http://www.elyseweinberg.com
Origin: Chatham, Ontario - Montréal, Québec - Los Angeles, California
Biography:

As the story goes, Elyse Weinberg (born Cori Bishop) left her hometown of Toronto, Ontario to Los Angeles to chase chase down Neil Young and pursue a musical career. She released her first album "Elyse" shortly thereafter in 1969 on Tetragammaton T 117 (USA) / Polydor (Canada). This label was the same label that released the first four Deep Purple albums as well as Carol Burnett. Elyse was somewhere in between these styles.

"Elyse" sold quite a few copies and reached #31 on Billboard. Colin Walcott played sitar and tabla. Maureenon the spoons. Brent on mouth and harp. Elyse was on vocals, six & twelve string. The album was produced by Gene Shiveley. Arrangements were by Jeremy Stewart and Don Gallucci. The front cover was drawn by Maureen.

The album was accompanied by two 45's "If Death Don't Overtake Me b/w Meet Me at the Station" on Tetragammaton T-1522 and "Oh Deed I Do b/w Simpleminded Harlequin" on Tetragammaton T-1521.

In 1972 she recorded the album "Grease Paint Smile", but Tetragammaton went tits up so it was never released.

She then recorded the album "Wildfire" with Neil Young on the Asylum label, but it too was never released.

In 2001, "Elyse" was re-issued on CD on Orange Twin OT-001 and contains the bonus track "Houses", from the unreleased album Wildfire, which featured Neil Young on guitar.

Elyse released "In My Own Sweet Time" in December, 2009.

Interview between Robert Williston and Elyse Weinberg: Date: March 12, 2010

R-Hi Cori, in which city in Canada were you born?
E-I was born in Chatham Ontario.

R-What were your earliest musical influences? Do you remember your first instrument?
E-I remember coming home from school and listening to the HIT PARADE. I got my first guitar at 12. It was a cheap Harmony, the strings were so high off the fret board; my fingers would bleed.

R-How did you become interested in the vibrant 60’s folk scene? What was your fist gig?
E-When I was 12 my family moved to Montreal. I started singing folk songs, and was caught up in the protest movement. There was one club that I played at in Montreal. I think it was the only folk club that brought in big names. I remember taking care of Blind Rev Gary Davis. I would sit and watch his fingers.

R-How did you meet Neil Young and Joni Mitchell?
E-I dropped out of McGill University to go to Toronto and pursue music. It was a fabulous time, other people like myself, it was a revelation. There was quite a scene Neil Young, Joni Mitchell, Ian and Sylvia, Gordon Lightfoot. We all hung out and played together.
And you travelled to Los Angeles to spend time with Neil Young and to record your album “Elyse”?Actually, first I went to New York. Two different people wanted me to record, but I didn't feel it was right. I then went to LA and stayed with Neil for a while. I remember going to the last concert of the Buffalo Springfield. Then I stayed with Cass Elliot (we had mutual friends in Toronto). She turned me on to her manager Roy Silver. I remember using the last of my money to take a cab to his office. He heard me play and sing, and signed me to his label Tetragrammaton. He gave me money to go back to Toronto and get my stuff and come back to LA. What would I have done if he didn't like my music!

R-You recorded your album “Elyse”, which is considered by many to be a folk psych masterpiece! What was your favourite song from that album?
E-I have to tell you I cringe when I listen to that first album....if I had to pick a favourite, maybe “Ironworks”...it was so over the top.

R-Your second album, “Grease Paint Smile” was recorded for Tetragrammaton in 1971 and went unreleased. Neil young played on one of the tracks. Do you remember the recording session? Are there any plans to release this album?
E-I've just had a label in S. Korea ask if they could re-issue ‘Grease Paint Smile’. I'm exploring that possibility. I was in San Francisco and I think Neil was there too. I asked him to play on the album. I remember being in the studio with him. He went direct into the board, and I was sitting with my arm around him as he played. It was very sweet.

R-Shortly thereafter, you signed with Geffen Records and recorded your third album “Wildfire”, which also went unreleased. Are there any plans to release this album?
E-After I recorded “Wildfire”, I left my manager and just kinda left. There are no plans to release it.

R-When did you appear on Johnny Carson’s Tonight Show? What songs did you sing?
E-I appeared on the Tonight Show shortly after the release of “Elyse”. I think I sang “Deed I Do”. I remember in those days all the microphones were set to the level of Johnny Carson's voice. It was just me and an acoustic guitar so you didn't hear the vocal very well.

R-When did you discover that Cher recorded “Band of Thieves” without giving you credit?
E-I remember going to the movies with my friends to see Cher's movie and to hear her version of my song “Band of Thieves”. When the credits came on it said all music by Sonny Bono, I was shocked.

R-Did you lose faith in the music business?
E-I don't think I lost faith in the music business, I just drifted away. It may have been a blessing in disguise. It's very possible I would have become another drug overdose statistic. Instead my life has become a journey of spiritual exploration. My music is always with me. I never stopped writing.

R-And now, 40 years after the release of your first album, you have released your second album “In My Own Sweet Time”. Over what time period did you write the songs? Are they all originals? What inspired you to finally write, record and release your second album?
E-I was given the opportunity of unlimited studio time by a dear friend John Swinnerton. He co-produced and engineered and played multiple instruments on “In My Own Sweet Time”. The songs are all originals and most were written in the last 5 years. I think this is the album I always wanted to make. Back in the day I was the "chick singer". Producers and arrangers were brought in. I never really expressed my ideas. Here, I had complete freedom. It was a great gift and I'm very happy with the album. It may have taken 40 years but what is time?

R-And today, are you still actively performing? Are you writing any new music?
E-I'm re-forming Baby Cori and the Buds. The plan is to play the new album. But most of all, the plan is to remember who I really am.

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105144

Weinberg, Elyse (Cori Bishop)

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