Kilt

Album / Title

Kilt

By: Kilt

Origin: Cape Breton, Nova Scotia, 🇨🇦

Tracks

12 tracks

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Track Listing

12 tracks

  • Wrecker's Den

    Track 1 02:38

  • Honest Gamble - Tripping Up the Stairs

    Track 2 03:33

  • Johnny Bean Set: Cawdor Fair - Frank's Reel - Speed the Plow

    Track 3 03:34

  • Fisherman's Blues

    Track 4 03:50

  • Dream of Death - Forfar Hunt

    Track 5 04:28

  • I Was Made for Loving You

    Track 6 03:19

  • South Australia - Brenda Stubbert's Reel

    Track 7 02:46

  • Come on Eileen

    Track 8 03:16

  • The Drunken Dancer - Dinky Dorian's - Sleepy Maggie - McNab's Hornpipe

    Track 9 03:18

  • The Keeper - Plenty of Hornpipe

    Track 10 02:44

  • Dylan's Ghost

    Track 11 02:23

  • Last Call

    Track 12 00:33

Insight

Music, dancing and having a good time. Halifax’s Kilt was built on those three East Coast traditions, and you can hear all three on every track of this record.

Kilt came up through the Halifax pubs and university bars in the mid-1990s, a band that could turn any Tuesday night into a kitchen party. Tony Ronalds sang lead and played whistle. Bonny Jean MacDonald brought the fiddle tradition of her hometown, Mabou, and step danced alongside guitarist Brennan MacDonald. Justin Stewart played mandolin and electric guitar, Andy Gallant played bass and Brian Buckle drove the whole thing on percussion. They made this, their self-titled debut, with Terry Pulliam at Soundmarket Studios in Halifax. It led to two nominations at the 1999 East Coast Music Awards, and they spent the next few years tearing up towns from Halifax to Victoria.

The album opens with ‘Wreckers’ Den’, Stewart and Ronalds’ dark tale of Sable Island’s shipwrecks. From there it races through jigs and reels like ‘Tripping Up the Stairs’, ‘Speed the Plow’ and ‘McNab’s Hornpipe’, with songs borrowed from Spirit of the West, the Waterboys and Stan Rogers along the way. Then it gets bold. A Celtic band covering Dexys Midnight Runners’ ‘Come On Eileen’ is one thing. Covering a 1979 Kiss disco single sounds like a dare. Kilt played it like they meant it, with fiddle and whistle carrying the hook, and it became the song crowds waited for all night. ‘I Was Made for Loving You’ is my favourite Celtic cover of a rock song, bar none. Play it at your wedding and watch the whole room put their hands together and get up to dance. Now picture it at the Red Shoe Pub in Mabou, Bonny Jean’s home turf. What a sight that would be.

-Robert Williston

Gallery

Images

5 images

CD-Kilt-Kilt JEWEL BACK

CD-Kilt-Kilt CD

CD-Kilt-Kilt INSIDE

CD-Kilt-Kilt INSERT BACK

Kilt

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Credits

Musicians
Tony Ronalds: lead vocals, whistles
Justin Stewart: mandolin, vocals, electric guitar
Bonny Jean MacDonald: fiddle, vocals, dancing
Andy Gallant: bass, vocals
Brian Buckle: percussion, vocals
Brennan MacDonald: guitar, vocals, dancing

Songwriting
‘Wreckers’ Den’ written by Justin Stewart and Tony Ronalds
‘Honest Gamble’ written by Spirit of the West
‘Tripping Up the Stairs’ traditional
‘Johnny Bean Set’ traditional arrangements, including ‘Cawdor Fair’, ‘Frank’s Reel’ written by John McCusker and ‘Speed the Plow’ traditional
‘Fisherman’s Blues’ written by Mike Scott and Steve Wickham
‘Dream of Death’ written by Kilt and Tony Ronalds
‘Forfar Hunt’ traditional
‘I Was Made for Loving You’ written by Paul Stanley, Desmond Child and Vini Poncia
‘South Australia’ traditional
‘Brenda Stubbert’s Reel’ written by Jerry Holland
‘Come On Eileen’ written by Kevin Rowland, Jim Paterson and Billy Adams
‘The Drunken Dancer’ written by Francie Byrne
‘Dinky Dorrían’s’ written by Francie Byrne
‘Sleepy Maggie’ traditional
‘McNab’s Hornpipe’ traditional
‘The Keeper’ written by Justin Stewart
‘Plenty of Hornpipe’ written by Stan Rogers
‘Dylan’s Ghost’ written by Justin Stewart and Tony Ronalds
‘Last Call’ written by Brian Buckle

Publishing
‘Wreckers’ Den’: SOCAN
‘Honest Gamble’: Stony Plain Music, SOCAN
‘Frank’s Reel’: Kinmor Music
‘Fisherman’s Blues’: Dizzy Heights Music Publishing Ltd., Rare Blue Music Inc., ASCAP / Island Music Inc., BMI
‘Dream of Death’: SOCAN
‘I Was Made for Loving You’: Hori Productions America, administered by PolyGram International Publishing Inc., ASCAP / Desmobile Music Co. / EMI April Music Inc., ASCAP / Mad Vincent Music Inc., BMI
‘Brenda Stubbert’s Reel’: SOCAN
‘Come On Eileen’: Colgems-EMI Music Inc., ASCAP
‘The Keeper’: SOCAN
‘Plenty of Hornpipe’: Fogarty’s Cove Music, SOCAN
‘Dylan’s Ghost’: SOCAN
‘Last Call’: SOCAN

Production
Produced by Terry Pulliam and Kilt

Technical
Recorded by Terry Pulliam at Soundmarket Studios, Halifax, Nova Scotia

Artwork / Design
Original Kilt logo by Dwayne Carterry
Design by Seagull Design
Steve Jordan credited in acknowledgements for Seagull Design

Release
Oh Ha Music RDRCD-3719
CD, album
1997
Made in Canada
℗ © 1997 Oh Ha Music

Special thanks
Bruce and Damien at The Split Crow, Halifax; Whitney, Ryan and Glen; Andy ‘Sound Bitch’ Deveaux; Marty ‘Light Bitch’ LeFort; Peter Wilson (ETI); Geoff Doane (Aurora Audio); Steve Jordan (Seagull Design); Dwayne Carterry; Mark Burt; the Lewis family; Stephen and Lynne Francis; Tommy Tigger; Cyndi Locke (Grafton St. Dinner Theatre); Rod Doiron; Jack Ronalds; Rawlin’s Cross; Great Big Sea; Sláinte Mhath; Fine Crowd; MacKeel; Highland Heights; The Accents; Jellybean Square; Jason Carter; Mike Fougere; Maurice Hashie; Mairi Rankin; fans, friends and family

Extra thanks to Terry Pulliam

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