It's obvious, from their delivery and tightness, that they've spent many hours together. Their act is well calculated to excite. They tend to build a frenzy pitch with each of their uptempo numbers. Their lighting system is superb. Their set (stage) is completely portable and includes a curtained-off area from where the group makes its entry.
RPM, August 26, 1968
Produced by Neil Sheppard
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