Hailing from Saskatoon and billing themselves as the âoriginators of the Hub City Hot Rod sound,â the Heatscores pack a heavy instrumental punch. Formerly known as the Handsome Devils, the Heatscores have already released a cassette and a CD independently under that name. From the cover shots of these leather-clad toughies to their album intro with a spoken word about âpunks packing switchblades,â you know this isnât going to be a delicate or lightweight surf record. The band injects heavy amounts of rockabilly into their surf-based sound and at their best, most distinctive moments they turn up the distortion and really rock out. Take a listen to highlights like the Link Wray-influenced âRumbleseat,â the truck drivinâ fury of âEight Balls of Fire,â as well as the title track and itâs pretty obvious where the strength of this band lays. They also do a pro job on mellower, more country sounding numbers like âShot Fulla Holesâ and âThe Drifter.â A little more rockinâ than your average instrumental band, the Heatscores can easily hold their own with any of the bigger instrumental groups today.
-Craig Daniels
In the late â90s and early Oh-Ohs, The Heatscores were the answer when it came to Saskatoonâs premier hard-rocking, instrumental surf-punk band. Billing themselves as the âOriginators of the Hub City Hot Rod Sound,â The Heatscores quickly gained a local cult following for both their intense songs and incendiary live show. Put simply, when it came to surf ânâ roll, they were the best game in town.
Now, theyâre back â and while the promise of even a one-off show is likely to send former fans into a frenzy, at least one member thinks there might be even more to come.
âFor the first time in years, we all live in the same city again,â says guitarist Delicious Dick Devil (aka Rich Belheumer). âGremmie, our bass player, had been in Calgary sewing his wild oats, and we just couldnât do it without him, [but] we got together for beers and started talking about old times â and next thing you know, weâre awash in reverb and pale ale.
âWhile I donât know what the future holds as far as making new records, I think itâs safe to say this wonât be a one-time thing,â says Devil. âItâs just too much fun!â
Various members of The Heatscores certainly continued to make their mark on Saskatoonâs scene after the bandâs breakup â creating bands like Savage Henry and the Infamous One Pounders, The New Jacobin Club, Sleaze Patrol and Bewarewolf, in addition to local label 100% Wild Records.
Still, there was something special about The Heatscores â and even people in Germany knew it.
âWe had a 10" record released in Germany by a label called Kamikaze,â says Devil. âWe were close to doing a tour there, but it just never happened â mainly due to lack of funds. But having foreigners put out a record of your band and seeing articles about it in a magazine you canât read is pretty interesting.
âAlthough Iâve never been to Germany I assume weâre still huge over there.â
In addition to the vinyl 10" (which is long out of print and can presumably only be acquired for a princely sum via eBay), The Heatscores also released a cassette entitled Ruin Christmas and a CD called Light âEm Up. All of their releases captured a reverb-drenched sound that stomped and spat with an appropriate punk energy, with plenty of nods to the likes of Dick Dale, The Mummies and The Golden Tones.
Fans will also be interested to know that theyâve got a lot more songs than theyâve ever released â and now that theyâre back in the swing of things, Devil is hopeful those tunes might actually see the light of day.
âI canât say right now if weâll make new recordings, but when we split up in 2002, we had an albumâs worth of songs that ended up never getting recorded,â he says. âThings have changed dramatically in recording technology since then, and I personally would like to give it a whirl. Time will tell.â
Delicious Dick Devil: guitar
Gremmie: bass
Joe Vile: drums
Thee Exciter: guitar
Written by The Heatscores
Recorded by Dave Schultz For Smokey Ridge Recordings at Studio B in Hudson Bay, Saskatchewan, 1999
All photos by Scott Prokop
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