Black Preppies EP (picture sleeve)

Album / Title

Black Preppies EP (picture sleeve)

By: Contradance

Origin: Windsor, Ontario, 🇨🇦

Tracks

4 tracks

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Track Listing

4 tracks

  • Black Preppies

    Track 1 Side 1 02:28

  • Trouble in the Darkness

    Track 2 Side 1 05:53

  • She's Got an Eyepiece

    Track 1 Side 2 04:19

  • Professional Dads

    Track 2 Side 2 03:40

Insight

Contradance were a Windsor, Ontario trio: Ken Montague on guitar and vocals, Dave McDonald on bass and Arif Qureshi on drums. They came out of the University of Windsor scene in the early 1980s, mixing reggae, ska, punk, new wave and pop at a time when campus radio, the Detroit border and British bands such as the Clash, Madness, the English Beat and the Specials were changing what young musicians in the city listened to.

Montague grew up in Windsor in a Jamaican immigrant family. Bob Marley and reggae played at home, while his own listening ran through Neil Young, Patti Smith and the Cars. He was studying science and music at the University of Windsor between 1981 and 1983 when Contradance came together. He later called the group a reggae/pop/punk band, and the place where he first began working through ideas about Black identity.

He wrote 'Black Preppies' on the back of a chemistry experiment. The song spoofed The Official Preppy Handbook, with Montague, a young Black Canadian, sizing up the Lacoste shirts, social types and campus fashion of affluent white preppy culture. The note printed under the song on the insert reads: "Jocks & Lowlifes? Look at me... a walking, talking Black Preppy."

Contradance recorded the four-song EP Black Preppies: Look Buffy, four songs just for us! on August 3, 1982, at Aldon Sound 4, Don Lazurek's eight-track studio on Redwood Avenue in Windsor. Richard Janik engineered and mixed the session and the band produced. Montague wrote all four songs: 'Black Preppies', 'Trouble in the Darkness', 'She's Got an Eyepiece' and 'Professional Dads'. On 'Trouble in the Darkness', Montague, Qureshi and Dale D'Amore, billed as "The 3 Stooges," added what the insert calls "Genuine Jamaican Percussion."

The record came out on Dancing Note Records as dn-001, with World Record Corp. number WRC5-2315. It was dedicated to "Black Preppies all over the world." The insert's thank-you list maps the band's world: CJAM, The Lance, Detroit's WDET, University of Michigan radio, the Delta Chi fraternity, Records on Wheels, Sam the Record Man, Attic Records and "the entire city of Ann Arbor."

The Lance, the University of Windsor student paper, reviewed the band while they were active. The reviewer saw Windsor as a city in need of a scene and credited Contradance with trying to build one, calling 'Black Preppies' the group's hook-filled anthem and hearing 'Trouble in the Darkness' as smooth North American reggae. The piece grouped them with Windsor punk bands the Dry Heaves and the Spys.

Contradance played the University of Windsor student centre pub, Faces on College, The Radio, Delta Chi parties and rooms at the University of Michigan in Ann Arbor. CJAM, then working toward its FM licence, played the record steadily, and Montague later credited the station and the university with much of the band's success. In 2011 a CJAM reggae show still called Black Preppies "kind of iconic round these parts," noting that Windsor listeners caught local references in the lyrics that would mean little anywhere else.

Contradance were offered a record contract. At the same time, Montague was accepted into music at McGill University and into dental school at the University of Toronto. He chose dentistry, and the band's recording career ended with the one EP. He kept playing in rock and jazz groups and, after earning his Doctor of Dental Surgery degree, toured with the ska band ONE.

In 1997 Montague founded what became Wedge Curatorial Projects, building the Wedge Collection of photography and contemporary art centred on African diasporic culture and Black life. Looking back on 'Black Preppies', he said he had been exploring Black identity through music while still a teenager.

In 2013 CJAM brought Montague, McDonald and Qureshi back to mark the station's 30th year on FM and the University of Windsor's 50th anniversary. The original trio played the FM Lounge on September 21. Montague said he was surprised to learn that CJAM was still playing the record more than 30 years after he made it.

-Robert Williston

Gallery

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Contradance - Black Preppies EP (picture sleeve)

Contradance - Black Preppies EP (picture sleeve)

Contradance - Black Preppies EP (picture sleeve)

Black Preppies EP (picture sleeve)

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Credits

Musicians
Dave McDonald: bass
Ken Montague: guitar, vocals, percussion on ‘Trouble in the Darkness’
Arif Qureshi: drums, percussion on ‘Trouble in the Darkness’
Dale D’Amore: percussion on ‘Trouble in the Darkness’

Songwriting
‘Black Preppies’ written by Ken Montague
‘Trouble in the Darkness’ written by Ken Montague
‘She’s Got an Eyepiece’ written by Ken Montague
‘Professional Dads’ written by Ken Montague

Production
Produced by Contradance

Technical
Recorded at Aldon Sound 4 Studios, Windsor, Ontario, Canada
Recorded August 3, 1982
Engineered and mixed by Richard Janik

Artwork / Design
Logo designed by Ken Montague
Artwork by John Fewer

Release
Dancing Note Records dn-001
World Record Corp. WRC5-2315
7" EP, 33⅓ RPM, stereo
1982
Made in Canada
℗ © Ken Montague 1982
MAPL
Issued with a press release insert
Dedicated to “Black Preppies all over the world”

Matrix numbers
Side A: WRC5-2315-A-1A-2HZ
Side B: WRC5-2315-B-2HZ

Track listing
‘Black Preppies’ – 2:23
‘Trouble in the Darkness’ – 5:51
‘She’s Got an Eyepiece’ – 4:13
‘Professional Dads’ – 3:39

Liner notes
‘Black Preppies’: “Jocks & Lowlifes? Look at me... a walking, talking Black Preppy.”
‘Trouble in the Darkness’: “It’s about time that we won the war, or at least even the score.”
Genuine Jamaican percussion on ‘Trouble in the Darkness’ performed by “The 3 Stooges”: Dale D’Amore, Arif Qureshi and Ken Montague
‘She’s Got an Eyepiece’: “So take your time and don’t get hurt, because you’re young & you’re in love.”
‘Professional Dads’: “...everything would be quite alright, except all the girls I meet have got Professional Dads”

Thanks
Richard Janik
Don Lazurek
Students of the University of Windsor
David Laird
Pete Deck & the S.A.C.
The Lance
The people of CJAM, especially Chris Briston for ‘Debuts’ & ‘Radios In Motion’ (WDET)
Rick Houghton, Studio A
Math Building
Delta Chi Fraternity
Stella Dillon Brown & Civilian Regime
Bookies Club 870
Steve Zuk & the Zuks
Wharehouse Mitch
Lewis
Cliff Pettit at Records on Wheels, through Canada
Sam the Record Man
The Ouellette Mall Arts Council
T.O.W.A.R.D.
Artfest
Artie
Mikey
SLK Prism Productions
Rick’s American Café
R.J.’s Used Records
U of M Radio
The entire city of Ann Arbor
Attic Records
Rickenbacker Basses
Hutnik Instrumental Design Inc.
Korg Rhythm 55
Sue Shimizu
Marti Douglas & the Daughters of the Professional Dads
Minello & Ribsy
The Skank Brothers
Dale D’Amore & the Nelsons
Dominato & Fecore
The everlasting influence of the late Bob Marley
Horatio ‘The Cultural Dread’
Beckers
Fig Newtons
Vernors
Meloids
Izod Lacoste Ltd.
Mom, Dad & Sibs

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