Information/Write-up
La Nouvelle Frontière emerged from Montréal’s Pointe-aux-Trembles district in 1969, during a vibrant moment in Québec’s cultural reawakening. At its core were twin siblings Richard and Marie-Claire Séguin, whose voices and harmonies would soon become iconic in the province’s folk tradition. They were joined by guitarist Robert Letendre, bassist André Brault, keyboardist Normand Théroux, and drummer Denis Chénier — a diverse group of young musicians eager to blend their influences into something distinctively Québecois.
Signed to the Gamma label, La Nouvelle Frontière recorded two albums in 1970: their self-titled debut La Nouvelle Frontière, followed by L’Hymne aux quenouilles. These records reflected a uniquely Canadian fusion of 1960s folk-rock and emerging psychedelic touches, marked by warm acoustic textures, tight vocal arrangements, and subtle experimentation. Under the guidance of arranger François Dompierre, the group explored a wide range of material — from Leonard Cohen covers to original songs with lush orchestrations and occasional flashes of electric pop, as heard on tracks like “Pacification” and the quirky “Funky Monkey.” Their work captured the optimism and open spirit of a generation deeply influenced by both the Californian folk scene and Québec’s own Quiet Revolution.
Despite sharing stages with major international acts such as Johnny Hallyday and Little Richard, La Nouvelle Frontière struggled to find lasting media attention in Québec’s rapidly evolving music landscape. Their hippie-influenced image, and an emphasis on acoustic harmony, set them apart from the harder-edged rock sound that was gaining commercial momentum. Behind the scenes, musical tensions began to grow—especially between the Séguins' preference for poetic folk and Théroux’s interest in pursuing a more progressive rock direction.
By 1971, creative differences led the group to part ways. Normand Théroux would later join the progressive rock band Le Match, while Richard and Marie-Claire Séguin carried forward as a sibling duo, eventually becoming one of the defining voices of Québec folk-rock in the 1970s with their four classic albums. The short-lived La Nouvelle Frontière thus became the formative chapter that launched their enduring careers.
Though largely overlooked at the time, the group’s recordings have since earned renewed appreciation among collectors and historians of Québec music. Reissues in the 1990s and early 2000s helped to restore attention to their finely crafted arrangements and period-perfect sound, now recognized as an important footnote in the province’s rich musical history — a brief but memorable crossroads where youthful idealism, folk tradition, and 1970s experimentation converged.
-Robert Williston
Richard Séguin: guitar, vocals, harmonica
Marie-Claire Séguin: vocals
André Brault: bass, guitar, vocals
Denis Chénier: drums
Robert Letendre: guitar, vocals
Normand Théroux: keyboards, vocals
Hovaness Hagopian: guitar solo
Written by Normand Théroux (tracks A1, A2, A5 to B3), and Robert Letendre (tracks A1, A4, A5)
Produced and arranged by Hovaness Hagopian and La Nouvelle Frontière
Engineered by Michel Éthier
Recorded at Studio Andre Perry, September and October, 1970
Photography by Roger Archambault
Illustration by Michel Lanctôt
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