Information/Write-up
Tony Kosinec: A Life in Music and Beyond
Early Life and Beginnings
Tony Kosinec, born in Leeds, England, and raised in Toronto, Canada, is a singer-songwriter and composer whose career spans over five decades. Kosinec first emerged on the music scene in the late 1960s, making a name for himself as a gifted folk and pop artist with a unique lyrical and melodic sensibility. His early professional journey took him to the United States, particularly to New York City, where he performed in the vibrant folk and rock circuit, sharing the stage with prominent acts such as Blood, Sweat & Tears. These experiences helped him refine his songwriting craft and build a dedicated following.
Musical Career and Breakthrough
Kosinec’s recording career officially began in 1969 when he signed with Columbia Records and released his debut album, Processes. This album introduced audiences to his sophisticated songwriting and featured the single "Simple Emotion." Notably, the album included contributions from prominent musicians, such as members of the Canadian rock band Lighthouse, and featured backing vocals by Patti LaBelle and the Bluebelles.
His follow-up album, Bad Girl Songs (1970), was produced by Peter Asher, the renowned producer behind James Taylor and Linda Ronstadt. This album, widely regarded as one of his best, showcased Kosinec’s evolution as a songwriter, featuring tracks like "I Use Her," "Come and Go," and "The Sun Wants Me to Love You." Despite limited mainstream commercial success, the album was highly respected within the singer-songwriter genre and was reissued in 1998.
In 1973, Kosinec released Consider the Heart, which further solidified his reputation as a talented and introspective songwriter. The album featured the standout track "All Things Come From God," which brought him critical acclaim and became one of his most recognized songs. Throughout the 1970s and into the 1980s, Kosinec continued to record and release music, always maintaining his poetic and deeply personal songwriting style.
Expanding Horizons: Jingles, Television, and Film
While Kosinec remained active in music, he found additional creative outlets in composing and writing. He became well known for his work in advertising, particularly in writing jingles, one of the most famous being "Okay Blue Jays," which became the theme song for the Toronto Blue Jays baseball team. The song is still played during the seventh-inning stretch at Blue Jays home games and has become a beloved piece of Canadian sports culture.
Beyond commercial music, Kosinec made a successful transition into composing for film and television. His work in this arena includes scoring for productions such as Raoul Wallenberg: Buried Alive (1983), Ready or Not (1993), and Pippi Longstocking (1997). One of his most significant contributions was composing the score for the CBS mini-series Joan of Arc (1999), which starred Peter O'Toole, Shirley MacLaine, and Olympia Dukakis.
Later Career and Personal Interests
As the 2000s approached, Kosinec continued to pursue music on his own terms. He released Almost Pretty in 2000, a reflective work that demonstrated his continued passion for songwriting. Additionally, he became increasingly involved in exploring and sharing his interest in spirituality, particularly Kabbalah. Kosinec has spoken about his journey into Kabbalistic teachings and has contributed to discussions on spiritual growth and philosophical inquiry.
Legacy and Influence
Tony Kosinec's career is a testament to artistic perseverance and versatility. From his early days as a folk-rock singer-songwriter to his later work in commercial music, film, and television, he has left an indelible mark on multiple artistic fields. His influence can be seen not only in his recorded work but also in his contributions to Canadian music culture, particularly through his work on "Okay Blue Jays."
Today, Kosinec remains an intriguing figure in Canadian music history, embodying the spirit of creative evolution and lifelong artistic expression.
-Robert Williston
Musicians
Skip Prokop: drums
Paul Hoffert: keyboards and anything else with keys
Harvey Brooks: bass
Ralph Cole: lead guitar
Tony Kosinec: acoustic guitar
Skip Prokop: percussion
Murray: percussion
“Our world”: percussion
Patti LaBelle and the Bluebelles: vocal backgrounds (courtesy of Atlantic Records)
Marsha: spirit
Neil Anderson: spirit
Tony Orlando: spirit
Songwriting
‘Down on Words’ written by Tony Kosinec and Robert Sandler
‘Tyrant’ written by Tony Kosinec and Robert Sandler
‘Mystic Fifties’ written by Tony Kosinec and Robert Sandler
‘Silver Morning’ written by Tony Kosinec and Robert Sandler
‘You Got Me Crazy’ written by Tony Kosinec and Robert Sandler
‘Simple Emotion’ written by Mark Shekter with Tony Kosinec and Robert Sandler
‘Processes’ written by Tony Kosinec and Robert Sandler
‘Cleopatra’ written by Mark Shekter with Tony Kosinec and Robert Sandler
‘Raymond Auston’ written by Tony Kosinec and Robert Sandler
‘I Can’t Sing’ written by Tony Kosinec and Robert Sandler
‘Summer/Spring’ written by Tony Kosinec and Robert Sandler
‘Feather of a Boy’ written by Tony Kosinec and Robert Sandler
Production
All arrangements by Paul Hoffert
Produced by Paul Hoffert and Skip Prokop for Murray
Engineered by Don Puluse
Mixed by David Green
Mind blowing by Bob Devere
Lontzman Under the Sun: Harvey Brooks
Artwork
Cover art (from top left): Robert Weaver, Paul Davis, Milton Glaser, Phil Hays, Thomas B. Allen
Cover photo: Columbia Records Photo Studio — Don Hunstein
Cover design by John Berg
Notes
Special thanks to Howard Shore, Lou Waxman, Lou Schlossberg
Consulting psychoanalyst and Tito Puente fan: Robert Sandler
Furs by Jacqueline
℗ © 1969 Sony Music Entertainment / Manufactured by Sony Music Labels Inc.
Made in Japan / SICP 4974 / Stereo
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