Jim brown   oh see can you say %28see  hear st 56411%29 front

$250.00

Brown, Jim - Oh See Can You Say

Format: LP
Label: See, Hear ST-56411
Year: 1968
Origin: Vancouver, British Columbia, 🇨🇦
Genre: concrete, experimental, poetry, electronic
Keyword: 
Value of Original Title: $250.00
Make Inquiry/purchase: email ryder@robertwilliston.com
Release Type: Albums
Websites:  No
Playlist: Experimental & Electronic, Poetry, Plays And Spoken Word, 1960's, British Columbia

Tracks

Side 1

Track Name
Introduction nd th Very Tissues of Language
Blues for Electric
Survival
A Myth of Gardens

Side 2

Track Name
There Was so Much
Tap
Two Voice Poem
Test Sight

Photos

Jim brown   oh see can you say %28see  hear st 56411%29 label 02

Jim Brown - Oh See Can You Say (See, Hear ST-56411) LABEL 02

Jim brown   oh see can you say %28see  hear st 56411%29 label 01

Jim Brown - Oh See Can You Say (See, Hear ST-56411) LABEL 01

Jim brown   oh see can you say %28see  hear st 56411%29 back

Jim Brown - Oh See Can You Say (See, Hear ST-56411) BACK

Jim brown   oh see can you say %28see  hear st 56411%29 front

Oh See Can You Say

Videos

No Video

Information/Write-up

Covering a who's who of the Canadian Sound Poetry & Avant-Garde figures including Bp Nichol, Jim Brown, Wayne Carr, Ross Barrett, Al Neil, Lionel Kearns, and the Australian Composer Bruce Clarke, the first release collects a scattershot array of early work from everyone involved, dovetailed a fashion similar to "Iowa Ear Music" into a continuous mode. The second covers "Oh See Can You Say", credited solely to Brown but heavily featuring Carr & Barrett, essentially continuing in the same trajectory. It's not too far off from "Indeterminacy" in that Brown's stream-of-consciousness Sound/Poetry narratives are often interjected by Carr's abstract & frankly dynamite Psychedelic synthesizer work. Ross Barrett's solo track weaves chill sitar zones through the matrix, but it's mostly in & of the voice/electronic amalgam, with a few choice zaps straight from the cortex of the acid-damaged late 60s milieu.

SEE/HEAR is a RECORD MAGAZINE, a quarterly publication of recordings of contemporary sound arts. Contemporary sound arts are usually discussed in terms of certain categories such as electronic music, experimental acoustic music, sound poetry, projective verse, chance music, improvised forms and so on, however what should probably be recognized is that sound arts are continually evolving and to create categories only restricts the way in which we think about sound. Mixed media, combinations of sound and visual arts, or combinations of different modes of sound art, are easily seen as results of our electric environment, and are as valid as the already accepted sound forms. Comes with insert about the recordings. From the insert: A1 for Lennon and Mccartney. A4 was commissioned for the Adelaide 1968 Arts Festival by the Melbourne ISCM, fragments of poetry were chosen at random from the unpublished works of the late Ann Pickburn. A5 is a 30-minute dramatic cantata written for a Masters composition recital and performed at the University of British Columbia in the spring 1968. B4 made September 1968.

Wayne Carr: synthesizer
Engineered by Wayne Carr

supposedly some copies came with a 60 page booklet, but doesn't seem to have surfaced anywhere.

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