Bipsautru - Chu Content...

Tracks

Side 1

		Track Name	Length
	1	Chu content	03:37
	2	Morrison's	02:47
	3	Samba-menute	05:02
	4	Tit-Coq (pour Claire)	03:53
	5	Le chateau (d'enfant)	02:35
	6	D'automme	02:21
	7	Un jour	03:02

Side 2

		Track Name	Length
	1	Chansons d'equinox	07:04
	2	Finance	03:12
	3	Ou jamais!!!	01:14
	4	Dapres toi?	03:06
	5	Vents, sud	02:34
	6	Asticou	04:14

Photos

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Information/Write-up

Bipsautru: Québec's Lost Folk-Prog Troubadours

Emerging from Hull, Québec (now Gatineau) in the late 1970s, Bipsautru were a short-lived yet captivating folk-rock and progressive ensemble whose lone album, Chu Content..., has since become a prized rarity among collectors of underground Canadian music. Fusing traditional instruments with a free-spirited, experimental approach, the group offered a uniquely Québécois take on folk and prog that feels as intimate as it does otherworldly.

The group was anchored by singer-songwriter Luc Lafrance, whose vocals and acoustic guitar formed the emotional core of the band’s sound. He was joined by the whimsically nicknamed Menute, a multi-instrumentalist whose recorder and harmonica added an airy, pastoral quality to the arrangements. Nathan Curry brought texture and melodic color with his violin and mandolin, while Paul Lafrance—likely a relative of Luc’s—contributed to the production and overall realization of the album.

Released privately in 1978 with the catalog number ME 777, Chu Content... was recorded with a raw, do-it-yourself spirit that only adds to its charm. The album’s title—translated from the local Joual dialect as “Je suis content” or “I am happy”—is emblematic of the project’s down-to-earth roots. Clocking in at nearly 50 minutes, the record offers a mix of vocal and instrumental pieces that blend folk-rock with subtle progressive shifts. The standout track “Asticou” nods to more adventurous territory, while “Samba-Menute” and “Chansons d’équinoxe” showcase the group’s melodic sensibility and rustic charm.

With artwork featuring hand-drawn musical instruments imagined as spaceships, and liner notes that include contributors like illustrator Pavl, photographer Luc Lebeau, and editor Danielle, the album is a fully realized artifact of regional, independent creativity. The mixing was handled by René Goalbout, whose rough-hewn sonic treatment matches the album’s homespun vibe.

Though Bipsautru would fade quietly into obscurity after this one release, Chu Content... continues to resonate with connoisseurs of Québec’s psychedelic-folk underground. Its sincere, imperfect beauty has drawn comparisons to other regional acts like Le Temps and early Beausoleil Broussard, while its handcrafted aesthetic speaks to the vibrant DIY culture of the time.

Today, Bipsautru’s music survives as a whisper from another era—a reminder of the deep well of creativity bubbling beneath the surface of Québec’s musical landscape in the 1970s.
-Robert Williston

Luc Lafrance: guitar, vocals
Menute: flute, harmonica
Nathan Curry: violin, mandolin

Mixed by René Goalbout

Photography by Luc Lebeau

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