63 Monroe - Stinkin' Out The Joint

Tracks

Side 1

		Track Name	Length
	1	Horizontal Hold	02:32
	2	Yumpin'	03:28
	3	Twist My Wrist	02:34
	4	Can't Trust Her	03:07
	5	Soup to Nuts	02:57
	6	Henry VIII	02:33
	7	99th Floor	02:12

Side 2

		Track Name	Length
	1	Damage Done	02:29
	2	Hey Little Girl	02:06
	3	Cyanide	02:42
	4	Wrong to You	03:25
	5	The Battle of New Orleans	02:48
	6	Weekend Punks	03:10

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Information/Write-up

'63 Monroe is a story all by itself. Success, tragedy... it was all there. I'd write a book if I had the time. They were more than just another sex drugs and rock n roll story. To their credit they never gave in to the music industry.

The band's name derived from the obvious; that being the beginning of a new legend. It is also a statement showing the member's feelings towards the insanity, excesses and stupidity of the jet set celebrities and of their own demise. Although influences on the band had included the New York Dolls, The Ramones as well as early London (Canada) bands such as the Demics, they were aware of the importance of finding their own niche. The sound was raw, but enjoyable to the punk/metal crossover generation...and for those who understood that the band was approaching alternative music from a different angle, they were a breath of fresh air.
-Danny Napalm

In 1985, the band released their second album, the highly praised Stinkin’ Out the Joint. SOTJ is a back alley blast of rattling cans and fists on flesh – a steady and raw groove of chunky metal and slumbering punk. Stunning’s voice on SOTJ is particularly interesting, like a psychedelic Wolfman with a new wave echo and inaudible lower east side tongue. The whole thing lacks severely in production value, giving you a sense of what it would have been like to be front row at The Cedar Lounge for a rock show. The success of SOTJ took ’63 Monroe beyond London’s borders, including a show at CBGB’s in NYC with Johnny Blitz’s band...

The scene was hotter than ever and at the heart of it all was ’63 Monroe, whose stage antics began to take on a life of their own – porno broadcasts, platform boots, nudity, coffins, smoke bombs, dry ice. ’63 Monroe was defiantly flaunting raunchy excess as though they were LA hipsters, not London (Ontario) overachievers. But overachievers they were, contently inventing new ways to tear up their hometown instead of going after the tainted allure of fame and fortune.
-Jeff Warren, Sleazegrinder.com

Steven R Stunning: lead vocals
Pete Dekoker: bass, vocals
Jeff "Rooster" Rooth: drums, vocals
Marky Burnaway: guitars, vocals, synthesizer

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