Täbï Yösha

Täbï Yösha is a Québec singer of Haitian origin whose music brings together R&B, neo-soul, jazz, pop, and electronic textures. Known for a rich, powerful voice and a stage presence shaped by formal training in singing, theatre, and dance, she emerged from Montréal’s collaborative music scene before establishing herself as one of the notable new voices in Québec R&B.

Her early work was marked by collaborations with artists and producers from the hip-hop and electronic scenes. She also performed with The Souldiers, a jazz/house group that gave her early experience on stage and helped sharpen the mixture of groove, improvisation, and vocal control that would later define her solo work. As a performer, she appeared at Femmes en blues, a Québec event dedicated to showcasing female musicians and singers, and also sang at the Sugar Bar in New York City, the venue founded by legendary songwriting duo Ashford & Simpson.

Täbï Yösha began releasing solo material in 2020 with “All Day All Night,” a sensual R&B single that introduced the sound she would continue to refine: warm, intimate, bilingual, and rooted in the emotional tensions of modern relationships. “Move On,” a francophone neo-soul track, followed later that year. Around the same period, informal vocal performances she posted online caught the attention of beatmaker Suiker, who began sending her instrumentals. That exchange became the foundation for the songs that led to her first EP.

Her profile grew further in 2022 when she contributed “Le drapeau blanc” to Ariane Moffatt’s Aquanaute 2022, a 20th-anniversary reinterpretation of Moffatt’s landmark album featuring a new generation of Québec artists. The project was nominated at the Gala de l’ADISQ and placed Täbï Yösha within a broader wave of emerging artists reworking one of the defining francophone pop albums of the early 2000s.

In 2023, Täbï Yösha released True Colors, her first EP for Bonsound. The five-song release drew from soul, R&B, electro-pop, and neo-soul while centring on love, disappointment, self-respect, and emotional release. Rather than presenting heartbreak as defeat, the EP framed romantic disillusionment as a path toward confidence and self-definition. True Colors helped consolidate her place as a rising figure in Québec’s contemporary R&B scene, earning her the Révélation musicale de l’année award at the 2024 Gala Dynastie, which celebrates the achievements of Black communities in Québec. She was also nominated for GAMIQ recognition and later reached the semi-finals of Quel Talent, where her vocal strength brought her to a wider television audience.

After several years of personal and artistic growth, Täbï Yösha returned in 2026 with Pink Moon, her second EP. Released by Bonsound, the project marked a more grounded and self-assured phase in her writing and performance. Steeped in pop, jazz, soul, and R&B, Pink Moon explores passion, desire, vulnerability, renewal, and the push and pull of modern relationships. Its title refers to the full moon of early spring, traditionally associated with renewal, a symbol that mirrors the EP’s emotional movement from heaviness toward release.

Across her work, Täbï Yösha moves easily between French and English, building songs that are personal without becoming closed off, sensual without losing emotional clarity, and accessible without flattening their musical roots. Her recordings place her within the growing landscape of Canadian and Québec R&B artists expanding the language of soul music through bilingual expression, diasporic identity, and a sound that draws equally from live performance, studio collaboration, and personal transformation..